Get all 40 AGF ✸ poemproducer ✸ Antye Greie-Ripatti releases available on Bandcamp and save 30%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of poemproducer, uttu EP, arachnesound, abundANTIA EP, GaiA EP, commissioned work, IX-ccc-hel EP, syntax mirror, and 32 more.
Excludes subscriber-only releases.
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loooop w.orm
02:28
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radial whee
03:28
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trikkle ekonomi
04:10
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spinnnnner
02:22
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donut wørrrrr
02:12
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AGF ✸ poemproducer ✸ Antye Greie-Ripatti Hailuoto, Finland
audio sculptress performing as AGF, poetess and new media artist Antye Greie-Ripatti utilises language, sound, politics & explores speech within the audible depths of anti-rhythmic post-internet assemblages @poemproducer *
If you like wööörrrrrrk do-nut, you may also like:
supported by 14 fans who also own “wööörrrrrrk do-nut”
i haven't been through what you've been through, but i want to understand
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Everywhere at the end of time
by The Caretaker
supported by 14 fans who also own “wööörrrrrrk do-nut”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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untitled - circa 2014
by Vladislav Delay
supported by 11 fans who also own “wööörrrrrrk do-nut”
When maestro Ripatti does his magic you know that you are in for an intricate journey into both well crafted and exquisitely produced experimentalism. Highly recommended!
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featured on Bandcamp Radio Mar 26, 2024
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Age of Execution
by Brian Wenner
Brian Wenner unleashes another batch of sizzling experimental electronic music, alternately dissonant and tuneful.
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The ambient composer creates pieces reminiscent of short stories by Breece D’J Pancake, assembling familiar sounds in ways that render them haunted and suddenly unfamiliar.
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supported by 11 fans who also own “wööörrrrrrk do-nut”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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