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With kind permission of "Musikinstitut Darmstadt" we share our work we created during the SonixEx10sion workshop held in Darmstadt Summer Course in 2018 during Elektronik Atelier curated by Susanne Kirchmayr aka Electric Indigo. The workshop was held by Antye Greie-Ripatti (AGF)
• privilege in sound & listening
• decolonization of sound
• hacking white supremacy
within sound culture
GOALS
make a collaborative piece
with a stranger in 3 days
develop questions
ethical guidelines
Questions we asked:
• What is sonic justice and sonic identity ?
• Is there sonic identity politics?
• Social positioning and discourse: working with a complete stranger
• Critical examination of technology
• Collaboration production workflow
AGF ✸ poemproducer ✸ Antye Greie-RipattiHailuoto, Finland
audio sculptress performing as AGF, poetess and new media artist Antye Greie-Ripatti utilises language, sound, politics & explores speech within the audible depths of anti-rhythmic post-internet assemblages @poemproducer *
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
These two sprawling 20-minute electronic pieces offer both crackling, otherworldly textures and moments of surprising beauty. Bandcamp New & Notable Jan 15, 2023
St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism. Bandcamp New & Notable Jun 26, 2023
Seattle’s St Celfer returns with four more boundary-breaking electronic compositions sparked with sudden bursts of melody. Bandcamp New & Notable Jun 6, 2022
One of the many things to like about KD's music is the mastering. It's often quiet and dynamic, but only when it needs to be, and at other times - like with this one - it's properly loud. Guy Birkin